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01. 1k celebration
02. endless edmund pevensie edits
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barbierxberts
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hey my loves!! it’s been a long time since i’ve hosted a celebration but i hit 1k followers a while ago and super eager to make more edits and push my giffing comfort zone!! i’m so so grateful for each and everyone of you for interacting with me, reblogging my (long-awaited) edits, and leaving kind messages in my inbox even when it takes me ages to reply. tumblr has become this little comfort space for me and it’s truly an honour to share it with you all!

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to take part in this celebration :

  • reblog this post
  • must be following me
  • send me an ask with one of the following …

the art of : send me a 🎨 with a movie/show and a colour of your choice for a gifset focused on your chosen media

love&letter : send me a 💌 with your favourite character and a colour of your choice for a gifset

diamond days (mutuals only) : send me a 💎 and your favourite song for a url edit

i will be taking requests for any of my fandoms! if you are unsure, you can check out the page here or send me an ask directly!

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i’m going to end this post with a follow forever under the cut. these people give me so much serotonin and it always makes me incredibly happy when i see them on my dash! thank you for creating such a wonderful space for us to share, sending you lots of love and hugs <3

Keep reading

  • raise a glass to the posts you love that end up deleted. to the fanart and fanfics you lose track of and can't locate. to the blogs you used to look through that ended up unexpectedly disappearing. to the things you didn't archive because you always assumed they'd be there.

  • she really hid her heartbreak in the 1989 vault

  • not even just heartbreak but emotion period. she was trying in life and in her image during 1989 to be cool and level-headed and not even publicly dating (and it may have helped her feel more sane too) but it also didn’t reflect how she was feeling and idk hearing her scream “i love you” or that say she’s gonna hurt herself to get attention (not actually do it) idk i just??? it’s so real of her. and i get why she locked it away. it’s harder. especially when the world is listening. but i’m so happy we get to hear it.

  • Tagged
  • i know the nyt regularly edits and rewrites headlines post-publication but it's kind of wild that the basically one (1) good op-ed i've seen them publish in ages that was getting really widely shared was renamed from "Why Must Palestinians Audition For Your Empathy?" to much more vague and defanged "The Palestine Double Standard." like. come on.

    anyways.

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    (link to the archived page with the original headline)

    The task of the Palestinian is to be palatable or to be condemned. The task of the Palestinian, we’ve seen in the past two weeks, is to audition for empathy and compassion. To prove that we deserve it. To earn it.

    In the past couple of weeks, I’ve watched Palestinian activists, lawyers, professors get baited and interrupted on air, if not silenced altogether. They are being made to sing for the supper of airtime and fair coverage. They are begging reporters to do the most basic tasks of their job. At the same time, Palestinians fleeing from bombs have been misidentified. Even when under attack, they must be costumed as another people to elicit humanity. Even in death, they cannot rest — Palestinians are being buried in mass graves or in old graves dug up to make room, and still there is not enough space.

    If that weren’t enough, Palestinian slaughter is too often presented ahistorically, untethered to reality: It is not attributed to real steel and missiles, to occupation, to policy. To earn compassion for their dead, Palestinians must first prove their innocence. The real problem with condemnation is the quiet, sly tenor of the questions that accompany it: Palestinians are presumed violent — and deserving of violence — until proved otherwise. Their deaths are presumed defensible until proved otherwise. What is the word of a Palestinian against a machinery that investigates itself, that absolves itself of accused crimes? What is it against a government whose representatives have referred to Palestinians as “human animals” and “wild beasts”? When a well-suited man can say brazenly and unflinchingly that there is no such thing as a Palestinian people?

    It is, of course, a remarkably effective strategy. A slaughter isn’t a slaughter if those being slaughtered are at fault, if they’ve been quietly and effectively dehumanized — in the media, through policy — for years. If nobody is a civilian, nobody can be a victim.

    Take it from a writer: There is nothing like the tedium of trying to come up with analogies. There is something humiliating in trying to earn solidarity. I keep seeing infographics desperately trying to appeal to American audiences. Imagine most of the population of Manhattan being told to evacuate in 24 hours. Imagine the president of [ ] going on NBC and saying all [ ] people are [ ].Look! Here’s a strip on the edge of the Mediterranean Sea. That’s Gaza. It is about the same size as Philadelphia. Or multiply the entire population of Las Vegas by three.

    This is demoralizing work, to have to speak constantly in the vernacular of tragedies and atrocities, to say: Look, look. Remember?That other suffering that was eventually deemed unacceptable? Let me hold it up to this one. Let me show you proportion. Let me earn your outrage. Absent that, let me earn your memory. Please.

    Here’s another thing I know as a writer and psychologist: It matters where you start a narrative. In addiction work, you call this playing the tape. Diasporically or not, being Palestinian is the quintessential disrupter: It messes with a curated, modified tape. We exist, and our existence presents an existential affront. As long as we exist, we challenge several falsehoods, not the least of which is that, for some, we never existed at all. That decades ago, a country was born in the delicious, glittering expanse of nothingness — a birthright, something due. Our very existence challenges a formidable, militarized narrative.

    But the days of the Palestine exception are numbered. Palestine is increasingly becoming the litmus test for true liberatory practice.

    In the meantime, Palestinians continue to be cast paradoxically — both terror and invisible, both people who never existed and people who cannot return.

    Imagine being such a pest, such an obstacle. Or: Imagine being so powerful.

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    also some other notable changes in recent headlines…

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